No i don't know none of them. I write a comment to present Floss Manuals fr, let see if they are open :/<br><br>Elisa<br><br><div class="gmail_quote">2010/8/17 adam <span dir="ltr"><<a href="mailto:adam@xs4all.nl">adam@xs4all.nl</a>></span><br>
<blockquote class="gmail_quote" style="margin: 0pt 0pt 0pt 0.8ex; border-left: 1px solid rgb(204, 204, 204); padding-left: 1ex;">can we beg them to make an exception? do you know them?<br>
<font color="#888888"><br>
adam<br>
</font><div><div></div><div class="h5"><br>
<br>
On Tue, 2010-08-17 at 10:19 +0200, Elisa Godoy de Castro Guerra wrote:<br>
> hello,<br>
><br>
> yes i'm agree with adam, it seem very interesting. BUT, it is full.<br>
> They accept only 130 people. And it's full since some weeks ago.<br>
><br>
> Elisa<br>
><br>
> 2010/8/16 adam <<a href="mailto:adam@xs4all.nl">adam@xs4all.nl</a>><br>
> this looks great...is there anyone in paris that can go and<br>
> represent<br>
> fm?<br>
><br>
> adam<br>
><br>
><br>
><br>
> On Thu, 2010-08-05 at 10:54 -0500, Janet Swisher wrote:<br>
> > Anybody planning to go to this? Or been to a previous one?<br>
> ><br>
> > <a href="http://barcamp.org/BookCampParis3" target="_blank">http://barcamp.org/BookCampParis3</a><br>
> ><br>
> > Google Translation:<br>
> ><br>
> > BookCamp Paris, 3rd Edition<br>
> ><br>
> > When? When?<br>
> > Saturday, September 25, 2010 - 13h - 20h<br>
> ><br>
> > Where? Where?<br>
> > La Cantine, 151 rue Montmartre, 12 passage des Panoramas,<br>
> 75002 Paris,<br>
> > Metro Grand Boulevard ( map ).<br>
> ><br>
> > A Bookcamp for what? What this Bookcamp is about<br>
> ><br>
> > The idea of this day is to offer half-day experiments and<br>
> thoughts<br>
> > about the book and the digital. A series of workshops "hands<br>
> on" to<br>
> > better share the impact of digital innovation on the book<br>
> chain. An<br>
> > opportunity to meet and exchange between librarians,<br>
> booksellers,<br>
> > publishers, writers, critics and readers with the slogan,<br>
> "all<br>
> > participants".<br>
> ><br>
> > Daily Schedule<br>
> ><br>
> > 13h: Home<br>
> ><br>
> > 13:30 Presentation<br>
> ><br>
> > 14h-15h: 4-5 workshops<br>
> ><br>
> > 16h-17h: 4-5 workshops<br>
> ><br>
> > 18h-19h: 4-5 workshops<br>
> ><br>
> > 19h-20h: pot.<br>
> ><br>
> > We can accommodate from 12 to 15 workshops in the day three<br>
> successive<br>
> > series of one hour. For each series, we have:<br>
> ><br>
> > - 3 workshops can accommodate 15-25 people<br>
> ><br>
> > - And 1-2 other smaller (5-10 people).<br>
> ><br>
> > The BookCamp is looking for sponsors to provide a pot,<br>
> T-shirts or<br>
> > other gifts to participants who volunteer their time to come<br>
> and share<br>
> > their knowledge and skills.<br>
> ><br>
> > Workshops<br>
> ><br>
> > 12-15 available workshops, one-hour: if you have a<br>
> presentation idea,<br>
> > feel free to make suggestions. The idea of the workshops is<br>
> that they<br>
> > are a forum for sharing, meeting between stakeholders by a<br>
> single<br>
> > thematic they cross their approaches, their problems, their<br>
> > differences. Feel free to propose more than reason ...<br>
> ><br>
> > Workshop Proposals<br>
> ><br>
> > Workshop 1: Reader or tablet - Which tool to read digital?<br>
> > Subject: A workshop focusing on the opinions of users with a<br>
> > comparison between the different reading solutions.<br>
> ><br>
> > Workshop 2: Digital Comics<br>
> > Subject: The arrival of the iPad tablet and multimedia can<br>
> finally<br>
> > read a comic book in digital and mobility so comfortable.<br>
> However,<br>
> > should you stick to a simple board like paper? Where are the<br>
> > experiences of interactive comics? Is there a market for<br>
> digital<br>
> > comics in France? etc..<br>
> ><br>
> > Workshop 3: The future trends of digital playback<br>
> > Topic: Playing social-sharing feature, the digital book<br>
> open, etc..<br>
> ><br>
> > Workshop 4: The library at the Internet<br>
> > Topic: booksellers share their internet experience. What is<br>
> the role<br>
> > and place of the library at the age of the Internet? \<br>
> ><br>
> > Workshop 5: Facilitator Book<br>
> > Subject: What, for a professional book that mediation around<br>
> the book<br>
> > online? For a bookseller, a librarian, an editor: how to<br>
> talk the book<br>
> > online? What is being done to promote it? What is missing<br>
> it? What is<br>
> > needed?<br>
> ><br>
> > Workshop 6: Editing participatory<br>
> > Topic: When readers become editors. Exploration of digital<br>
> publishing<br>
> > platforms: how text-is it validated?<br>
> > How the author and the reader / editor do they live the<br>
> adventure of<br>
> > publishing participatory?<br>
> ><br>
> > Workshop 7: Distribution Mobile OPDS protocol<br>
> > Subject: Overview of concepts, technology and ecosystem OPDS<br>
> (<br>
> > <a href="http://opds-spec.org/about/" target="_blank">http://opds-spec.org/about/</a> ).<br>
> ><br>
> > Workshop 8: Why and how to properly hack ebook<br>
> > Topic: Why and how to properly hack ebook, workshop<br>
> introduction to<br>
> > scan, OCR and correction in macro in Word and Open Office,<br>
> create your<br>
> > own catalog OPDS to broadcast your releases. Conference on<br>
> the<br>
> > deplorable state of the legal tender in France<br>
> (non-existent, DRM<br>
> > bridling users, more expensive than the paper book, file of<br>
> poor<br>
> > quality (without couv, tables containing errors or<br>
> defective).<br>
> ><br>
> > Workshop 9: Encyclopedias participatory and participants<br>
> > Topic: Why create an encyclopedia participatory after<br>
> Wikipedia? How<br>
> > to involve researchers? Internet? How to put the site on a<br>
> world<br>
> > stage? Should we translate the interventions published in<br>
> other<br>
> > languages? How? Manage copyright images are copyrighted,<br>
> published,<br>
> > copyrighted texts, manuscripts and correspondence. How?<br>
> ><br>
> > Workshop 10: The author at the time of the digital evolution<br>
> of<br>
> > writing and new relationships with readers<br>
> > Subject: Can we talk about digital writing? The<br>
> constraints of the<br>
> > media they are an obstacle to the creation or an<br>
> opportunity? Web 2.0<br>
> > can create links between the author and his readership? Text<br>
> and<br>
> > hypertext ... how the author perceives it to enrich his<br>
> writings?<br>
> ><br>
> > Workshop 11: and what food is served?<br>
> > Subject: What text solicited us stories, portfolios, poetry,<br>
> works on<br>
> > expansion and revision, how ergonomics of the digital object<br>
> (& reflow<br>
> > pages, typo, hypertext and metadata), compared to the blog<br>
> of the<br>
> > author and his role relationship and roles publisher /<br>
> distributor,<br>
> > playing online subscription feuilletoir, how it is done and<br>
> there is<br>
> > what to invent?<br>
> ><br>
> > Workshop 12: Plate (s)-forms, what exactly does it?<br>
> > Topic: Flat (s) forms are here! They are poised to leverage<br>
> to lots of<br>
> > different levels. Platforms for content distribution,<br>
> publishing<br>
> > platforms, platforms, distribution, retail, collaboration<br>
> between<br>
> > publishers. What are the platform (s)-forms? How fit<br>
> together?<br>
> > _______________________________________________<br>
> > Discuss mailing list<br>
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> ><br>
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> --<br>
> Elisa<br>
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</div></div></blockquote></div><br><br clear="all"><br>-- <br>Elisa<br>